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    幽靈公主觀后感

    時間:2024-02-09 07:15:45 觀后感 我要投稿

    幽靈公主觀后感

      當我們觀看最新的高水平影片時,這次觀看讓你心中有什么感想呢?觀后感就是看了一部影片,連續(xù)劇或參觀展覽等后,把具體感受和得到的啟示寫成的文章。想必許多人都在為如何寫好觀后感而煩惱吧,下面是小編整理的幽靈公主觀后感,歡迎大家分享。

    幽靈公主觀后感

      The long-cherished wish of harmonious accrete is in " ghostliness princess " be being revealed mediumly is such shock and humanness is infatuate, of the mankind greedy, reach the beauty naturally, produced bright contrast, and the wording and purpose of what one writes in Gong Qijun, everything such dream.

      和諧共生的夙愿在《幽靈公主》中的彰顯是如此震撼且為人著迷,人類的貪婪,自然的至美,產(chǎn)生了鮮明的對比,而在宮崎駿的筆下,一切又如此夢幻。

      In the story, boar god became medium the curse became fiend, come from the west the village that aggressive A Xi Daka is in, a Xi Daka situation is urgent under killed fiend, but oneself are medium also the curse of fiend. But under, he can comply with only the directive of the hellcat of this village goes the west checks clear, seek means of livilihood. In road, he experienced a variety of difficulty, knew Shan and adult of unreal female singer, also encountered beast of kylin of silvan god —— . Midway, because of the deep contradiction between person and nature, both sides launchs intense war, finally, everybody returns former life in. In Dan Congshan and the dialog that A Xida blocks two people, reflection gives the mankind and natural contradiction, still insoluble.

      故事中,野豬神中了詛咒變成了邪神,從西方來侵略阿席達卡所在的村莊,阿席達卡情急之下殺死了邪神,但自己也中了邪神的詛咒。無奈之下,他只能聽從本村的巫婆的指示去西方查個明白,尋求生路。途中,他經(jīng)歷了種種困難,認識了珊與幻姬大人,也碰到了森林神——麒麟獸。中途,因為人與自然間深深的矛盾,雙方展開激烈的戰(zhàn)爭,最后,所有人都回到原來的生活中。但從珊與阿席達卡兩人的對話中,折射出人類和自然的矛盾,仍不能解決。

      Saw the movie, what A Xida gets stuck is just, with adult of unreal female singer nearly screwy idea attrition gave the scintilla of dazzling. Nature and person, is true each other antipathic? Stand in the angle that unreal female singer Yours Excellency, what nature takes namely seemingly is endless use not the treasure chest of exhaust, and the beast in the forest, it is a few little troubles. So, adult of unreal female singer invented a composition the gun at that time, xiang Senlin demands resource. And Shan as it happens is contrary, she is a child that is abandoned by the mankind, be brought up to be brought up by wolf god. Have inherent animosity and inimical feeling to the mankind, if increase general protection,be more to the forest. She special the person that hates to be similar to unreal female singer to Your Excellency, ever thought with unreal female singer adult spells you to die a few times with work, how failed. These two people as two extremes, ceaselessly contact, collision, however who cannot treat. Male advocate Asidaka wanders in the mankind and mountain forest either however, be like broken peace is maintained like drug. Finally, the occurrence of kylin animal, bring new hope to the person again, but the head that got the adult of unreal female singer that bonze of a knot in one's heart incites to shoot kylin animal. The banging song of the igneous perianth gun of the hope dies out, people is holding disappointment in the arms, when looking with the compunctious mood as the mankind, asidaka and Shan saved kylin animal afresh however. Natural, with the mankind, also be OK harmony gets along! Grasping move expects, film ended. Although Shan and Asidaka's arms part a way, explained its contradict to be solved very hard, but still have hope.

      看了電影,阿席達卡的正直,與幻姬大人幾近扭曲的觀念摩擦出了刺眼的火花。自然與人,真的互不相容嗎?站在幻姬大人的角度,自然貌似就是一個取之不盡用之不竭的寶箱,而森林中的野獸,則是一些小小的麻煩。所以,幻姬大人發(fā)明了作文當時的槍,向森林索取資源。而珊正好相反,她是一個被人類拋棄的孩子,被狼神撫養(yǎng)長大。對人類有天生的仇恨與抵觸感,對森林更是如加一般的保護。她非常憎恨類似于幻姬大人的人,曾幾次想與幻姬大人拼個你死與活,奈何都失敗了。這兩個人就如同兩個極端,不斷地接觸、碰撞,卻誰也治不了誰。男主阿斯達卡卻在人類和山林兩方的游走,似藥劑般維護破碎的和平。最后,麒麟獸的出現(xiàn),又給人帶來新的希望,但受疙瘩和尚指使的幻姬大人射下了麒麟獸的頭。希望的火花被槍的轟鳴聲泯滅,人們正抱著失望,和做為人類的內(nèi)疚的心情看下去時,阿斯達卡和珊卻重新拯救了麒麟獸。自然,與人類,也是可以和諧相處的!秉著期望,影片結(jié)束了。雖然珊與阿斯達卡的兵分兩路,說明了其矛盾很難解決,但還是有期望。

      And the film of this edificatory giving a person, mythological colorific is deduced, dark the proposition that the crank of demon built person and natural eternity. Still meet person of more of forever infection, influence.

      而這部給人啟迪的電影,神話色彩的演繹,森之精靈的奇想構(gòu)筑了人與自然永恒的命題。還會永遠的感染、影響更多人。(文/潘懷瑾)